Jean-Pierre Melville’s cool, stylish French crime drama Le Cercle Rouge (1970) is the slow-paced but brilliant story of an escaped murderer (Gian Maria Volonté), a high-class moustachioed thief (Alain Delon), and a police superintendent who really loves his cats (Andre Bourvil).
All men are guilty. They’re born innocent, but it doesn’t last.
Corey (Delon) is released from prison the same day Vogel (Volonté) escapes from police commissaire Mattei (Bourvil) while being transported on a train. Road blocks are set up all throughout the area, but Vogel manages to elude capture and ends up stowing away in the trunk of Corey’s car. The two inevitably meet and, along with alcoholic ex-cop Jansen (Yves Montand), set up an intricate plot for a multi-million dollar jewel heist. They carry out the heist, but Mattei, a former colleague of Jandsen who is still searching for the murderer Vogel, is on their trail.
Melville’s deliberately paced thriller unfolds slowly, set to impressive cinematography and a bleak atmosphere that make it well worth the watch. Alain Delon is probably the smoothest criminal in town — everything he does looks super cool. Maybe it’s just the moustache. I’m not sure. But what I am sure of is that the whole film is super cool. Criminals, police commissioners, and potential informants rendezvous in Santi’s nightclub, where cigarettes are inevitably lighted and girls are always there to entertain audiences and provide a glittering backdrop.
Overall, I was deeply impressed by Le Cercle Rouge, and thrilled by every second of it. I couldn’t help but take two hundred screencaps, some of which I put to use in this photoset on tumblr. Also, shoutout to our Star of the Month Alain Delon, who is one kool kat as Corey. Full disclosure: I watched this because I found out Alain Delon has a moustache in it. But whether or not you are a fan of Alain Delon/facial hair, I definitely recommend it. It’s worth the 140 minute running time if you want to watch a moody crime thriller.